Archive for December, 2010

The Three Rules of Great Antagonists?

Posted in On Writing  by John Brown on December 28th, 2010

Jennifer Crusie is a long-time pro writer. In Filled with Glee: The Unauthorized Glee Companion by Leah Wilson, Crusie had this to say about antagonists in her essay “You Think That’s Hard? Try Being an Antagonist, That’s Hard”: Why Sue Sylvester is Essential to Glee“ 

“Sue is riveting, not only because she’s a fascinating character in her own right, but also because she embodies the Three Rules of Great Antagonists: (1) She is much stronger than the protagonist she sets out to destroy, (2) She will stop at nothing to achieve her goal, and (3) despite all that strength and implacability, she’s a vulnerable human being, not a cartoon.” (130)

You know what I think of rules and of form outside the context of function. So here are my questions to you writers who follow my blog and have been following the posts on suspense:

  1. What function or effect do these qualities have on the reader or on story elements that impact the reader?
  2. Do all great antagonists exhibit these three qualities?
  3. If not, are any of these critical for antagonists?
  4. What’s your conclusion about these three rules?

I’m interested to see what you come up with. And don’t be afraid to post your ideas. I really want to hear your take. You might want to read her whole essay.

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Ninja Master Prep, Bountiful Baskets, and Feeling Good

Posted in John's Reviews - books, movies, whatever  by John Brown on December 28th, 2010

Kung Fu Your Food

It sounds like something off of a bad infomercial—black-clad ninjas, blenders, and, if you order now, a zirconium ruby that can withstand the pressure of a full elephant’s weight! But we didn’t get the Ninja Master Prep Professional—a six-cup pitcher and three two-cup prep bowls–from an infomercial. Santa’s up to his old tricks again. The dirty dog one-upped me and gave it to my wife for Christmas.

Most blenders and food-processors use a single blade at the bottom of the container. When you make thicker smoothies, this means you have to stir and poke the chunks to the bottom. When you chop vegetables, it means that sometimes the stuff on the bottom turns to soup while larger chunks whirl around on top. And when it’s time to serve or remove the contents, you have to deal with the blades.

But the Ninja Master Prep turns all that on its head. It uses multiple blades–one each at the bottom, middle, and top. You hold the motor in your hand. This configuration processes the food quickly and evenly. For example, we had 48 ounces of thick, perfectly-blended smoothies made from frozen strawberries in thirty seconds. And serving was a breeze because we simply set the motor aside, pulled the blade column out, and were left with a normal pitcher.   

If you’re looking for a new blender or food processor, give the Ninja Master Prep Professional a try. You can find it at Sam’s Club, Target, Kohl’s, and many places online, including Amazon.com.

Now, Grasshopper. You must learn respect–Hee-yah!

Easy Eating

One of the best changes we can make in our diets is to include more fruits and vegetables. I’ve found one of the easiest ways to do this is to order a weekly boxful from Bountiful Baskets (BountifulBaskets.org), a co-op which has hundreds of pickup locations in ten western states.

The produce is cheap. And because you don’t choose what you’re going to get, you’re introduced to vegetables and fruits you might not otherwise try. Some might think that leads to eating less produce, but we’ve found it’s actually the reverse.

One of the biggest headaches of cooking is planning the meals. In fact, I think having a menu is most of the battle. Bountiful Baskets eliminates a good portion of that planning and required shopping. Instead of trying to figure out what to cook, we know what we have to cook. It’s right there in the basket. All we need to do is build a number of the week’s meals around the produce. A few clicks on allrecipes.com and we’re ready to go.

If you want to eat a more healthy and delicious diet, give Bountiful Baskets a go.  

Be Happy

It’s the holiday season and a joyous time for many people. But it’s also the worst time of year for others. We recently had another suicide in our little county. Some people might prefer we sweep such things under the rug. But it breaks my heart. Especially since such tragedy is avoidable. And I’m not talking about removing the problem with medication, although sometimes people do need to treat chemical imbalances. For many, much, if not all, of their depression is fueled by specific types of thoughts.

These thoughts are not wacky, crazy things. In fact, they may seem innocuous or normal to some. But they are deadly all the same. Identifying and shining the truth on these thoughts takes some work, but the liberation is worth every ounce of effort.

It’s unrealistic to expect to be full of joy every minute of our lives. But it’s also not necessary, nor is it normal, to live a life dominated by feelings of worthlessness, hopelessness, pain, and self-loathing. If you or someone you know seems to feel these things on a regular basis, please, get a copy of Feeling Good by David Burns. Just read the first hundred pages and perform the techniques found there. And if you need some help being consistent, find a counselor to help you.

Along with the jolts and pains, life provides an abundance of joys. Don’t let yourself, or those close to you, miss them.

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Best dang article on time management for writers I’ve seen

Posted in On Writing  by John Brown on December 21st, 2010
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Larry Correia lays it all out. Plus he talks about research.

http://larrycorreia.wordpress.com/2010/12/21/ask-correia-11-time-management-for-writers/

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Wowser sequence in Life season 1 episode 3

Posted in John's Reviews - books, movies, whatever, On Writing  by John Brown on December 20th, 2010

I just started watching Life, the NBC series. I’ve enjoyed the first four episodes. In fact, episode three has one of the most brilliant sequences I’ve ever seen.

Here’s the setup. Charlie Crews is a detective who was sent to jail for a murder he didn’t commit. Being a cop in prison made him a target for many many beatings. Eleven years later they found none of the DNA at the murder site was his. So they released him, and, as settlement for damages, gave him a bunch of money, and allowed him to be a cop again. He’s been partnered up with Dani Reese. Nobody really wanted him, but she’s had problems of her own and got stuck with him. Crews had a car in the first episode, geeked out about GPS and handsoff telephone (stuff his missed in prison), but the ex-con lawyer Crews has put up in his mansion ran it over with a tractor. He’s been riding the bus. In this sequence, Crews and Reese are looking for a guy named Manny Umaga who carjacked a man and his wife then shot the wife. In this sequence they go find where he is and then go get him.

Watch it and then read my comments below. It runs from minute 15:49 to 21:15.

1. Surprise. You walk into a dangerous car shop. What are you expecting? You know you’re going to meet hard characters. They’re not going to want to talk to you. There’s some danger and so a bit of suspense. So we meet some hard characters. I was still surprised by the particulars of Buscando Maldito–his neck tattoos and hat. Wonderful and new (at least to me). But before we can have a confrontation–surprise–Crews sees the car of his dreams. Then we get that wonderful exchange between him and Maldito and El Repitito. Total humor. Totally unexpected. Then Maldito suggests a posse? Not only is he willing to talk, but he suggests he goes with them? When going to get Umaga, more surprises. Flash bangs? Big honking Samoan running? Busts down the door? Takes Crews by the neck? Crews pulls his own knife? Surprise after surprise after surprise.

2. Characters. Loads of interest factors (see my post on character). Maldito and Repitito have fabulous eccentricities. Crews displays his own interesting reaction to the car. Surprising, but logical (BTW, in a later scene you see him driving the car!) Then we see his prison background coming up with the knife. Love his backstory. And did you notice how strong Reese is, taking none of Maldito’s crap?

3. Dialogue. Did you notice how the first few times Reese says anything to Maldito he doesn’t respond to her question? Total avoidance of on-the-nose dialogue, talking cross-purpose.

4. Soundtrack. The way they bridged the two scenes with that music was fabulous. And the music itself. Wow. BTW, that’s “No Nadie” by Edgard Jaude, Rafael Torres, & Andres Ayrado.

5. Conflict. Between the Maldito and Crews about the car, between Maldito and Reese, between Umaga and Crews. Then Crews and Reese (with the knife).

I think I watched this a dozen times. Loved it.

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The Sing-Off, Sam’s Salmon, The Englishman Who Went Up A Hill

Posted in John's Reviews - books, movies, whatever  by John Brown on December 14th, 2010

One of the best TV programs this fall

American Idol was good until the judges became irrelevant and annoying. Or maybe I was just tired of the format. I didn’t think I’d watch another singing show. But I tuned into the opener for The Sing-Off on NBC last week, and holy harmonies, Batman–it was wonderful.

Ten of the best a’capella groups in the country compete for a $100,000 prize and a recording contract with Sony Music. Unlike American Idol, the groups represent a wide range of ages—from kids in high school to older adults—and backgrounds. They don’t use any instruments, just their voices, to sing incredible arrangements of modern songs with percussion, bass, and lovely vocals. This ain’t no choir music. And unlike American Idol, the judges actually have interesting and useful things to say. Also unlike American Idol, the judges eliminate the groups until three are left. Only then do the rest of get to call in and vote.

We were glued to the TV watching each episode. The programs are all two hours long, but move like lightening. Our favorite groups at this point are Committed and The Backbeats.

This whole show runs a total of three weeks, one episode each on Monday and Wednesday. It started last week, continues this, and finishes next week. Some of you might be depressed, feeling you’ve already missed it.

Not so! You can watch all of the full episodes online at www.nbc.com/sing-off/ (with fewer commercials). Then tune in for the grand finale. I can’t wait. 

Are you kidding? From a can?

Canned tuna fish is one of those un-meats. It doesn’t taste like fish. It doesn’t taste like chicken. I guess the all-white albacore is okay. But tuna’s not one of those spectacular foods I crave.

So you’d think, as I strolled the isles of Sam’s Club, that I would have passed up the canned Member’s Mark Atlantic Salmon. But one of my wild culinary urges, the ones that rarely pan out, overtook me.

I purchased a pack of five, seven-ounce cans for $11.88. I brought the pack home put it on the shelf and didn’t dare open it. What was I thinking?

Canned salmon? Canned meat?! When was the last time you had a steak out of a can?

It couldn’t be good.

Of course, my sensible hesitations only last so long. I broke down one afternoon when the cupboards were bare. I saw the salmon and thought that it might go well with a salad and baked potato.

I opened the can. It was pink, like the trout I used to catch and immediately fry when I went camping as a boy. I tasted it. And it tasted like .  .  . fish. Real fish. The light delicious taste of those trout I caught so many years ago.

I enjoyed a wonderful meal that day and have had several repeats since. Boneless, skinless filets in water, packed with omega-3 fats, all grown on fish farms in Chile. 

Great movie set in Wales

I enjoy Hugh Grant as an actor. I loved him in Sense & Sensibility with Emma Thompson, one of my most favorite movies ever. And so I was curious about another movie with Grant that received two thumbs up from Siskel and Ebert. It’s called The Englishman Who Went Up A Hill And Came Down A Mountain.

The setup is unusual. In 1917, with the war still raging in Europe, two English cartographers visit the small South Wales village to measure what is claimed to be the “first mountain inside of Wales.” The villagers are proud of their “mountain,” but become alarmed when the Englishmen measure it and find it’s not a mountain but a hill. The villagers are determined not to lose their status. Especially not to two Englishmen. What follows is good humor, drama, and a bit of romantic comedy. I think you’ll fall in love with the characters. It’s a wonderful tale. And it’s on DVD.

As a little bonus, here are the opening lines, given to us by two narrators.

“Narrator: For some odd reason, lost in the mists of time, there’s an extraordinary shortage of last names in Wales. Almost everyone seems to be a Williams, a Jones, or an Evans. To avoid widespread confusion, Welsh people often add an occupation to a name. For example, there was Williams the Petroleum, and Williams the Death. There was Jones the Bottle, and Jones the Prize Cabbage… which described his hobby and his personality. Evans the Bacon, and Evans the End of the World. But one man’s name was a puzzle, and it wasn’t until I was 10 years old that I asked my grandfather about the man with the longest and most enigmatic name of all.

“Grandfather: The Englishman Who Went Up a Hill but Came Down a Mountain? Now there’s a long name for you. And a long story. You are not going to fidget, are you? For this is a story… an epic story. Yes, epic.”

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Servant of a Dark God audio?

Posted in News - updates on books, events, appearances, etc.  by John Brown on December 13th, 2010
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I’ve recently received a number of emails from people asking if there is an audio version of Servant of a Dark God in the works and how can they get it. At this point, the audio rights have not yet sold. But that doesn’t mean those of you who would like audio have no recourse. The best thing to do is to make a request to Audible. It’s quite easy. Here’s what they say on their Contact Us page:

Content Requests: If you’re interested in a particular author or title, please let us know about it by sending an email to:content-requests@audible.com.

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