John Newton writes the following about himself.

“My father was a very sensible, and a moral man, as the world rates morality; but neither he, nor my step-mother, was under the impressions of religion: I was, therefore, much left to myself, to mingle with idle and wicked boys; and soon learnt their ways.”

And learn them he did, and not just from wicked boys.  This is the John Newton who worked aboard a “respectable” slave ship and then became the captain of his own.  But this is also the John Newton who later wrote “Amazing Grace,” probably the most famous of all folk hymns.  

That song has been sung in countless arrangements and to different tunes. I love the version by The Five Blind Boys of Alabama sung to the music of “The House of the Rising Sun”.  Soulful.  Incredible.

And the fabulous mash up of those two same songs performed by Jerry Lawson And The Talk Of The Town on NBC’s The Sing-Off season 2.  

And the more traditional version featured on the movie Amazing Grace sung by Chris Tomlin and titled “Amazing Grace (my chains are gone)”. 

There are simply too many wonderful versions to list.

But what makes this song so wonderful is not only the words, but also the story behind the song.  This song isn’t a song of theology—it’s John Newton’s own heartfelt expression of gratitude to God, who helped him turn from his profane and wicked life and eventually fight against the ills he practiced.  Later in life, Newton became a supporter and inspiration to William Wilberforce who lead the fight to pass the British Slave Trade Act in 1807, which abolished the slave trade in that empire.

Although the experience of Newton’s turning point is dramatic, and referred to in the song, his change didn’t occur over night.  In fact, it took him a number of years to fully come to himself.   It was 34 years AFTER he retired from slavery, which was years AFTER he turned toward a new life, that he published his forceful pamphlet Thoughts Upon the Slave Trade, in which he describes the horrific conditions of the slave ships and apologizes for a confession that “comes too late” and “will always be a subject of humiliating reflection to me, that I was once an active instrument in a business at which my heart now shudders.” 

My heart soars when seeing someone turn a life around (maybe because I’m in need of a turnaround).  It’s such a wonderful and instructive tale of hope.

Recently, Asbury University Media Com students and an Asbury Art Dept student under the direction of Professor Greg Bandy produced a short 14 minute documentary called Amazing Grace: The Story Behind the Song on the fascinating story of how John Newton wrote the most famous hymn in the world . . . and helped bring about one of the most powerful social justice movements in the history of Western Civilization.  It’s a great tale.  Watch it below.

Amazing Grace: The Story Behind the Song from Gregory Bandy on Vimeo.

The Way Back

GULag is the acronym for the government agency that administered the main Soviet forced labor camp systems in the early 1900′s. In Romanized Russian that’s “Glavnoye upravlyeniye ispravityel’no-trudovih lagyeryey i koloniy” which means “Chief Administration of Corrective Labor Camps and Colonies.”  The term “Gulag” quickly morphed to represent the camps themselves, which housed a wide range of convicts and many political prisoners.  It’s also come to stand for the repressive Soviet system with its arrests, interrogations, transport in unheated cattle cars, forced labor, destruction of families, years spent in exile, and early and unnecessary deaths.

The Gulag was a meat grinder. An estimated 1,053,829 people died in the Gulag from 1934 to 1953.

Some of those camps were in Siberia, one of the most remote and harsh places on earth. Sawomir Rawicz was one of those who claimed to have escaped such a camp in Siberia. He wrote about it and his subsequent 4,000-mile walk to freedom in India in The Long Walk. That story inspired Peter Weir to write and direct The Way Back, which tells the story of a group of men who attempt to escape out of Siberia, across the Mongolian wastes, and into India.

The film stars Ed Harris (who is interesting in anything he does), Colin Farrel (also starred in Ondine), Mark Strong (the villain in Sherlock Holmes), Saoirse Ronan (the fabulous lead in Hanna), and Jim Sturgess (the boyfriend in One Day). One of the group is an outright murderer. The others are all political dissidents—a teacher, priest, businessman, artist, etc. I found the performances honest and believable. But it wasn’t just the characters–the screenwriters subtly used syntax and word choice to transport the viewer.

But more important than the believability were the various tensions and stories contained within the escape plot. Each of the men, and the lone girl, has a story, and the film gives space for the stories to be told. As for the lone girl: Ronan was amazing in Hannah.  She’s amazing here. Furthermore, the role she played here leavened the whole film with something it wouldn’t have had otherwise.

The story will surprise you, make you shed a tear, think, and laugh. When you’re finished, you’ll talk about it. It’s that kind of a film. If you like dramas with action and suspense, I think you’ll like this film.

As always, use KidsInMind.com to see if it contains things you might find objectionable.

Brown’s Breakfast Burrito

How about a meal that’s so good you’ll want to slow way down to savor each bite? A breakfast that will keep you full until lunch? A tasty repast that isn’t loaded with mind-numbing calories? Let me suggest the John Brown breakfast burrito. It’s full of succulent umami, bursts of piquant pepper, healthy mushrooms, and lots of filling protein. And it only takes about 10 minutes to prepare. The recipe below makes one burrito. Scale it up to feed more.  

VEGGIES

• 1/4^th red bell pepper, chopped into small pieces
• ½ to 1 cup of mushrooms, sliced
• Dash of thyme

EGGS

• 2 eggs (120 calories)
• 1 T milk or half-and-half
• Salt
• Pepper
• Dash paprika
• Dash garlic powder
• Dash onion powder

 THE REST

• Pam cooking spray
• 1 tortilla (150 calories)
• 1 ounce of Jimmy Dean Premium Pork sausage (90 calories)

If you don’t have one of the spices, don’t freak out. It will still taste great. But the spices really take it to the next level. Here are the instructions. 

1. Start with your veggies. Spray pan with Pam and sauté peppers for two minutes on medium high heat. Add mushrooms. Give them a spray of Pam and dash with salt. Cover until the mushrooms sweat (release their water).
2. Next is the sausage. While mushrooms are cooking, start your sausage frying.
3. Finish veggies. Uncover mushrooms. Just before you finish them, sprinkle with a dash of thyme. When the spice becomes fragrant (its smell rises up in delicious glory from the pan), remove the veggies from the pan and cover to keep them warm.
4. Cook eggs. Turn heat down to medium low. Beat eggs, milk, salt, pepper, paprika, garlic powder, and onion powder.  Spray pan you used for veggies with Pam, then cook your scrambled eggs on medium low heat, stirring and scraping the whole time. And keep it on medium low—no browning or burning of eggs allowed! Cook until the eggs glisten with the last bits of moisture. Remember: you don’t want dry desert eggs. You want soft succulent ones.
5. Assemble the glorious concoction. Put the veggies, scrambled eggs, and sausage in your tortilla and wrap it up smartly. (What does “smartly” mean? I don’t know, but it sounded good, didn’t it?)
6. Go to heaven and return singing. This means you eat your breakfast burrito, but you do it savoring each bite. This is food meant to be enjoyed, not gobbled.

 As for calories, I estimate about 360 for the main ingredients. Veggies really don’t count in my book. Come on! Nobody gained weight eating turnips. But I’ll round it up to 400 just to be safe. Add in a glass of water and a piece of fruit and you’ve got a 450 calorie breakfast that starts your day off with delight, gratitude, and the joy of redemption. It could also make those you cook for kneel down upon the floor in well-deserved homage. And that’s always a nice thing for the cook.

Buck

About two years ago I was walking out in Round Valley and saw a rider on a horse coming down a hill through the brush.  I got to him just as he moved onto the road. Right away, I noticed that there was something a bit off with the horse’s gear—the rider was not using a bridle. The rider, Wayne Batty, was using nothing more than a rope harness that went around the horse’s head. I was amazed; how did you steer the horse without a bit in its mouth?

I asked Wayne if I might walk alongside as he rode. He agreed, and then began to talk about training and riding horses. I stuck with him for little over a mile before I had to turn back. I learned in that short period that Wayne was able to communicate with that horse with small nudges. The horse also communicated to him many things with its stance, ears, the cock of its head. Most importantly, I learned they both had built up a trust of each other. Wayne’s methods were not based on fear, it seemed, but something else.

It reminded me a lot of the fascinating and compelling The Man Who Listens to Horses, the autobiography of Monty Roberts, that shares Roberts’ life and his development of natural horsemanship methods. Unlike many training approaches which seek to break a horse’s will through harsh punishment-based methods that often veer into abuse, natural horsemanship employs methods that are much gentler and seek to build trust in the handler. Roberts can join up with (he doesn’t “break” horses) a wild or un-ridden horse, be up on the saddle calmly riding the animal, in an incredibly short period of time.

But Batty and Roberts aren’t the only ones practicing this. These methods have been around some time. One of the most famous practitioners and teachers is Buck Brannaman, who found his years of being severely physically abused by his father actually provided some insight into training horses.

Says Brannaman: “I’ve started horses since I was twelve years old and have been bit, kicked, bucked off and run over. I’ve tried every physical means to contain my horse in an effort to keep from getting myself killed. I started to realize that things would come much easier for me once I learned why a horse does what he does. This method works well for me because of the kinship that develops between horse and rider.”

Recently, a film was produced that looks at Brannaman’s life and methods. It’s called Buck and is worth every minute. If you love horses, you’ll love this movie. If you have a horse and think you might want to learn these methods, or just want to watch and listen, you might want to check out Brannaman’s teaching schedule at his site brannaman.com. He travels all over the country and is likely to hold a class within driving distance.

America The Vulnerable

A few years ago I received an email from my bank. At least, it looked legit to me. I opened it. It said it needed me to update some parts of my account and provided a link to the bank’s website. I clicked on the link, which took me to my bank’s website. At least, it looked exactly like my bank’s website. I entered my account number, login, and password. I made the requested changes and logged out.

Two days later, somebody in Spain cleared every penny out of my account—thousands of dollars stolen.

That email was a phishing (fishing) scam. The website had been a fake. I had willingly handed over my account number, login, and password to thieves.

Luckily, the bank insures such thefts. But the problem of information security remains. Thieves living in Spain, or Russia, or LA, or China, can rob me blind from their bedrooms in their pajamas. They can do this because our information processing nowadays is increasingly tied to the internet.

And they don’t just rob dopes like me, because it’s not just individual criminals who are in the business. Corporations and governments are in this business as well.

They steal billions of dollars of trade secrets, engineering designs, and other intellectual property from American companies through computer hacking. They steal military secrets. For example, the US Navy spent years and about $5 billion dollars to develop a quiet electric motor for submarines that would make them incredibly hard to find and track. Chinese spies stole that technology. The Navy then spent billions more to develop a new radar for their top-of-the-line Aegis Cruiser. Chinese spies stole that, too.

And they not only steal. Terrorists, crime organizations, and foreign governments can now insert malicious software into the computers that control, among other things, our electrical grid. They can use this in an attack, not just to shut the grid down for a while, but to destroy power generators. They can insert such software into our air traffic control system. Our train transportation systems. Our banks. They have already done this. They have already breached some of our most secure government systems.

It sounds too far-fetched to be true, but it’s reality. Joel Brenner, who has served as the former senior counsel at the National Security Agency (NSA), the national counterintelligence executive in the office of the director of National Intelligence, and as the NSA’s inspector general writes about what he’s seen in America The Vulnerable: Inside the New Threat Matrix of Digial Espionage, Crime, and Warfare. In the book, he explains the cyber threats to individuals, corporations, and the country and what we can do about it. If you want a fascinating look into the next phase of crime, espionage, and warfare, and an introduction to some of the things you need to do to protect yourself and your company, and what we need to do as a nation, you’ll want to read this book.

Sherlock Holmes & Mission Impossible

I have been looking forward to two movies this holiday season. One of them was as good as I’d hoped it would be. The other disappointed me because the story tellers forgot to make things clear. The two movies were Mission Impossible: Ghost Protocol and Sherlock Holmes: A Game of Shadows.

I loved the first Sherlock Holmes movie—the story was intriguing and plotted well, the atmosphere and music were amazing, and the characters and relationships were even better. In fact, the movie presented some of the most delightful characters I’ve enjoyed over the last few years. So it was a no-brainer to plan in a date to see this new episode.

Sherlock Holmes: A Game of Shadows provided the same great atmosphere and music as I enjoyed before. Holmes and Watson were as wonderful as they’d ever been. The film introduced a wonderful new character: Madam Simza Heron, a gutsy gypsy who you can’t help but want to know better. And it brought on Professor James Moriarty, the uber-villian. There was plenty of the wit that we enjoyed in the first one. It had all the elements to work.

However, the film fell down in its plotting. There were many times when I had no idea why the characters were doing what they were doing or how it fit into the overall threat. At other times, it appeared Sherlock could have taken out the villain but didn’t only because it would have ruined the plot.

The film makers also decided to kill off one of the characters, and therefore relationships, that had provided so much satisfaction in the first movie. And they did it without much fanfare. Who thinks it’s a good idea to kill off beloved characters like that? If you’re going to kill someone we love, you’d better make it meaningful and the core of the film. Alas, they didn’t.

In fact, it felt like there was too much stuffed into this film. Cool ideas that couldn’t be explored or have much impact including facial surgery for spies, a lost brother, European politics, resistance fighters, a henchman we hardly see. The wonderful Madam Simza Heron didn’t play the pivotal role she could have. So unlike Irene Adler in the first movie who becomes central to the story, she’s more of a bit of the setting.

If you loved the first film, you’ll have to see this. There’s a lot of good. But you must go knowing it’s a grade lower than the first film.

Now, I stopped liking the Mission Impossible movies about thirty minutes into the second in the series. But the previews for Mission Impossible: Ghost Protocol intrigued me. I like Tom Cruise as an actor. And so we decided to give it a try.

Mission Impossible: Ghost Protocol didn’t provide the atmosphere or super-delightful characters and relationships of Sherlock Holmes. But that’s not to say its characters were tepid. On the contrary, the cast was great with a lot of funny interplay. Furthermore, unlike some action films where everything seems to work for the hero, a lot of things go wrong for Tom Cruise’s character. These problems and his reactions are part of what make the movie.

The story also provided plenty of “action” but did it in a new way. This is the first time, for example, I’ve seen a car chase in a sandstorm. And it was a fab chase. It’s also the first time I’ve seen a final battle in an automated parking lot. The director and writers did a good job choosing new twists on common action elements.

But a story needs more than characters and new sights—the plot has to make sense. Especially when the plot takes center stage, which it does in action movies. And I’m happy to say that I never once wondered why our characters were doing something or how it affected the main threat. Furthermore, every one of the characters made a difference. The result was that I thoroughly enjoyed the film from start to finish. I can’t wait to watch it again. If you like action films, I think you’ll enjoy Ghost Protocol.

The Art of the Shaving

When I was on a mission in the Netherlands I was an idiot and did not take care of my face in the winter. I’d hop onto the bicycle with the temperature hovering around zero degrees (not counting the wind chill) and bike out with Fearless Companion to an area to meet with people or knock on doors. And I’d do it with hardly a thing covering my face and ears. As a result, I damaged my skin.

So now when I’m exposed to cold, my face flushes and stays that way for some time even when I’m in a warm house. I can’t wear cologne. And I’ve had a love/hate relationship with shaving. I can’t stand the prickle of a beard and so love to shave, but I hate the fact that when I shave, my face turns the color of a tomato for four to six hours. And this is when I use shaving cream specifically formulated for “sensitive skin.”

But then I walked into The Art of Shaving store in Fashion Place Mall and learned that those shaving creams designed for sensitive skins weren’t super gentle. They just numbed the skin so you didn’t feel the shave. The folks at The Art of Shaving suggested, of course, I use their product.

I bought a kit (I’m a sucker for good sales pitches even when I know I’m being suckered) which included: a badger hair brush (optional), pre-shave oil, shaving cream, and after-shave balm. They had five types to choose from: unscented, lemon, sandalwood, ocean kelp, and lavender. I selected the lavender because it was formulated for sensitive skin. At first I was worried about being overpowered with the smell, but was pleasantly surprised to find the scent as light as a feather. I didn’t need a new razor; they said my Mach3 was just fine.

I came home with my bag expecting a huge dose of buyer’s remorse. Except after my first shave with their product, my face didn’t flush. Could this really be a product that worked? I wasn’t willing to make that conclusion at the time. But now, after about a month of shaving, I can honestly say that this is the best shave I’ve had in years. My face doesn’t flush. The after-shave balm does what a balm is supposed to do–sooth. There’s no alcohol burn. In fact, I use the after-shave balm on non-shave days. If your skin hates shaving, let me suggest you visit theartofshaving.com and order some product or go to one of their stores. I think you’ll also become a fan. 

Info for Choosing a Career

There are many things I wished I’d done differently when choosing a career. I wish I’d broadened my horizon on the horde of different careers possible. I wish I’d really looked at what the various careers earned on average. Luckily for those looking to select a new career today, Utah’s Department of Workforce Services compiles data on more than 700 occupational wages and shows you the average and median annual wage as well as the average for inexperienced folks in that occupation.

Not only does looking through the list help you see options you might not have considered, it also helps you get a realistic expectation for what you might earn in that profession. Now, the list, although large, doesn’t show every possible occupation (FBI agent, Marine) or every permutation of the occupations shown. For example, there’s one line for accountants and auditors, but there are tax accountants, fraud accountants, security accountants, auditing accountants, etc. Nevertheless, this is an excellent list to begin a search.

To get the list, go to this state website: http://jobs.utah.gov/jsp/wi/utalmis/default.do. Click on “Utah Occupational Wages.” That will open a page with a map of Utah. Click on the link on the right “Utah Occupational Wages” to get the Excel spreadsheet of all 700+ occupations listed.

Pure Delight

One of the most delightful literary characters to appear in the last decade is the cheeky Bartimaeus–a five-thousand-year-old djinni (“genie”) who plays the lead role in Jonathan Stroud’s trilogy The Amulet of Samarkand, The Golem’s Eye, and Ptolemy’s Gate.

In Stroud’s world, magicians have no magic in themselves, but they do have the lore to summon and enslave demons, who can work magic. There are demons of various levels and powers. The lowest regularly summoned and enslaved are Imps, who can be crude and like to tell outright whoppers, but are good for standing watch and carrying messages. Next come Foliots, which Bartimaeus describes as “cut price djinn.” In the middle of the great chain of beings are the Djinn themselves, whose clever intelligence Bartimaeus extols, followed by Afrits, and finally Marids, who are rarely summoned because they are too strong for any but the most powerful magicians to control. Of Marids, Bartimaeus insightfully reveals that they are “dreadfully full of themselves.”

In the trilogy, Bartimaeus is summoned and enslaved to do the bidding of a sometimes jerkish young magician who learns to be a better person, despite himself. Of course, along the way the magician sends Bartimaeus in great peril, which he eludes with cunning, sardonic wit, and many good one-liners. I read the first book, loved it, then listened to all three read by Simon Jones, who makes these stories even better. The sad news is that I finished them. I simply wasn’t ready to let Bartimaeus go.

Which is why I was so happy to find that Stroud recently released a fourth book: The Ring of Solomon, which is a stand-alone prequel to the trilogy. The family and I just finished listening to it, and it is every bit as good, if not better, than the first three.

This story is set in biblical times where King Solomon has risen to uncontested power because of his possession of an all-powerful ring which allows him to summon hordes of powerful demons in a blink. Bartimaeus is enslaved to one of Solomon’s magicians.  A mean man, who Bartimaeus catches in a mistake and escapes, principally by devouring him. But Solomon doesn’t take kindly to that, and orders Khaba, a sinister and cruel magician, to summon him back to make an example for the other demons.

Meanwhile, the Queen of Sheba, having denied Solomon’s marriage proposal three times, is sent an extortion threat.  Angry and frightened, she sends Asmira, a young woman and loyal captain of the guard, to Jerusalem to assassinate Solomon.

Bartimaeus and Asmira hook up and find themselves in quite a pickle as they attempt to solve their problems. The story provides lots of humor, adventure, peril for both Bartimaeus and Asmira, and a number of surprising turnarounds. It also, in its own way, makes a comment on leadership, loyalty, and zealotry.

You’ll find it in the middle-grade section of your bookstore, but don’t let the placement fool you into thinking it’s not for adults. Like the best stories, it offers something for everyone. It’s a perfect blend of insight and entertainment and had my whole family, oldest to youngest, spellbound for the duration as we listened to it riding in the car. This is one of my favorite books this year. And if you want to really indulge yourself, listen to the audio book read by Simon Jones.

Travel to Medieval England

I love learning new things about places and peoples, even if it’s a place I’ve “been” to before, which is why Ian Mortimer’s The Time Traveler’s Guide to Medieval England intrigued me. The first page convinced me to buy to book. And I’m so happy I did.

I’ve read my fair share of interesting and well-written texts on this subject, including, among others, Life in a Medieval City and Life in a Medieval Village by Frances and Joseph Gies, Standards of Living in the later Middle Ages by Christopher Dyer, The Medieval Castle by Philip Warner, Daily Life in the Middle Ages by Paul B. Newman, and Power and Profit: The Merchant In Medieval Europe by Peter Spufford. All engrossing reads. What sets Mortimer’s book apart is that he not only approaches the topic as a travel guide that leads to you interesting sights and shares fascinating tidbits about the place, but he also helps you imagine how it would be, as a 21^st century person, to actually travel there.

For example, where would you go if you got sick? What happens if you’re robbed, where do you report the crime, and should you? Where might you get food and would it be something you’d find palatable? How will you get from place to place? Why kind of entertainment can you expect? And what can you wear without offending your hosts?

Mortimer focuses on the fourteenth century England, since this period comes closest to the popular idea of the medieval times. He tackles the topics of the landscape, people, the Medieval character, basic essentials, what to wear, traveling, where to stay, what to eat and drink, health and hygiene, the law, and what to do. And he does it all in a chatty, clear, and informative manner, with a bit of humor thrown in for spice.

Each page was a delight, and I found myself feeling like I was there. Furthermore, I learned a number of things that I hadn’t picked up in my previous readings. I’m tempted to quote all sorts of interesting tidbits he shares about the age, but I’ll refrain. If you are at all interested in the Middle Ages, I think you’ll love this book.

David Farland has been a big influence on me. It was his workshop back in the 90′s that actually made me think I could write professionally and led directly to my first publication as a Writers of the Future winner. Later Dave gave me comments on my first novel which helped me write a second, much better one that attracted Tor Books. And it was Dave who showed me the ropes on my first ever author tour.

But long before all that, Dave was a writer whose work I loved. I read ON MY WAY TO PARADISE when it first came out and enjoyed the heck out of it. SERPENT CATCH and PATH OF THE HERO were next. I gobbeled them up too. Then came the THE GOLDEN QUEEN. By the way, SERPENT CATCH and THE GOLDEN QUEEN are two of my favorite novels. Now, all of those were written under Dave’s given name–Dave Wolverton. When he switched over to fantasy he used the Farland pseudonym.  His first Farland book was RUNELORDS. Folks, RUNELORDS is, in my opinion, one of the top 10 epic fantasies ever written. Ever.

Of course, Dave has written many other novels and was involved with some Hollywood producers. Now he’s doing something new. He’s started his own publishing company–East India Press–and is releasing the first of his enhanced books through it.  Enhanced meaning far more than a book in print or electronic form–there’s also a soundtrack and art. NIGHTINGALE is that book. I asked him to share with my readers a bit more about it. Here’s his reply.

*

JOHN:  Tell us about how you came up with the idea for Nightingale?

DAVE: Years ago, in the late 1980s or early 1990s, I read a book by a doctor who had worked for the CIA, experimenting with drugs that would erase both long- and short-term memories.  It was fascinating work, and he eventually won the Nobel Prize for it.  So I became interested in memory transfer.

Later on, one Christmas, I got to thinking about the three “Wise Men” from the bible.  Normally, a “wise man” is called a wizard.  A “maji” is called a magician.  Why was it that the writers of the bible were using double-speak when discussing these guys?  Weren’t they astrologers?  Doesn’t the Old Testament condemn these folks to death?

So I went back to the Hebrew and found out that indeed these three gentlemen were in the same class of magicians that the Old Testament condemned to death, the m’khashepah—which originally referred to a class of magicians that hung around royal courts.  Of them the bible says, “Thou shalt not suffer a m’khashepah to live.”

So the thought occurred to me, “What if they weren’t just coming to give Jesus gifts?  What if they really had come to be . . . advisors.  What if they wanted to give him wisdom?”

That started a whole train of thought dealing with memory transfer—transfer of memories, the possibility of training reflexes, transfer of memories on a cellular level, and so on—which led to the creation of my magic system. 

The questions arose, what would people do with such power? 

And of course from that a novel was born.

Nightingale tells the story of a young man named Bron Jones, who is abandoned at birth.  Raised in foster care, he’s shuffled from home to home.  At age 16, he’s kind of the ultimate loner, until he’s sent to a new foster home and meets Olivia, a marvelous teacher, who recognizes that Bron is something special, something that her people call a “Nightingale,” a creature that is not quite human. 

Suddenly epic forces combine to claim Bron, and he must fight to keep from getting ripped away from the only home, family, and girlfriend that he has ever known.  He must risk his life to learn the answers to the mysteries of his birth: “What am I?  Where did I come from?  Who am I?”

This is a big project, an enhanced novel with illustrations and animations from half a dozen talented illustrators.  It has a sound track by the head of the National Composer’s Guild, James Guymon, with a dozen professional musicians and vocalists.  We’re releasing the novel in several formats, as an enhanced novel, a normal e-book, an audiobook, and as a hardcover.

But we did one last cool thing.  The enhanced book was designed for the iPad, though you will also be able to read it on just about any other pad or smartphone.  But we had our programmers create a web app so that you can enjoy the book on your computer—read a few chapters, take it for a test drive, or simply buy it for reading online.  You’re free to go check out the results at www.nightingalenovel.com.  If you like it, remember to “Like” us on Facebook.  Better yet, re-post our site info and tell your friends on Facebook.

Oh, and while you’re there, check out our short-story contest, where you can win $1000.

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John sez: I’m very excited to see where this goes. I’ve loved Dave’s stories for a long time. And the premise of this book sounds great. Samples are available at: www.nightingalenovel.com