Good Stuff! Mike Loades on Swords and Bows

Mike Loades is an expert on medieval fighting. He brings energy and, not just bookish learning, but insights from hands-on use. I loved the five-part Weapons That Made Britain television series for which he was the host and chief consultant. And so I looked to see if there was anything else he’d done. I found he’d written two books, which I am so happy to have read.

The Longbow is not just a book about the longbow. It’s about its construction and how it impacted the development of armor, and types of armor, and the wood used for the bow, and how to make arrows, and what the various points were for, and how people trained, and then cared for the bows, and how it was used in war. And, again, the insights are not just bookish ones. He’s walked the battlefields. He’s used bows for years. He’s performed tests with them. It is a 80-page book that carries a monstrous bang for the buck and one of the best purchases I’ve made for my library. I loved it.

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Of course, after that experience, I had to get his Swords & Swordsmen. This book is almost 500 pages long, and I was rapt reading each page of it. Instead of focusing on one version of this weapon, Loades discusses exemplars of various types of swords through time, starting with the sword of Tutankhamun in Egypt all the way through the swords of J.E.B. Stuart and G.A. Custer in the American Civil War. There are 15 chapters all discussing different eras and swords that provide a mountain of insight. The love Loades has for and the practical experience he has with the topic shines through on every page. Just as with The Longbow, you’ll learn about use, construction, the interplay with armor, and much more. Heck, I got the ideas for at least three novels reading this book. I loved it as much as I loved the first.

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If you enjoy military history and arms and armor, you will love these books. Guaranteed.

While you’re waiting for them to arrive in the mail, treat yourself to five hours of fascinating video below.

Weapons That Made Britain E01 – The Sword

Weapons That Made Britain E02 – The Longbow

Weapons That Made Britain E03 – The Lance

Weapons That Made Britain E04 – The Shield

Weapons That Made Britain E05 – Armour

Is Sad Puppies the right strategy?

There are a number of great science fiction and fantasy authors who feel that the Hugo awards have become irrelevant because the folks voting–only those who are members of Worldcon–do not represent science fiction and fantasy fandom.

Brad Torgersen describes it with this Venn diagram.

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But this is not only about the fact that the voting block is not a statistically valid sample of fandom. It’s also a campaign against what Larry, Brad, and many others see as a politically correct shibboleth in parts of the publishing community that they feel short shrifts authors who do not toe the liberal political line.

Two years ago, Larry Correia decided to give this issue a lot of attention. He did this by asking his fans to purchase a Worldcon membership and then consider a list of authors he thought were very good but didn’t necessarily reflect the prevailing values of the traditional Worldcon audience. Last year he repeated the effort and created a shirt-storm (I like that image so much better than the one that includes flying poops). This year, Brad is carrying the banner. Read Larry’s post Sad Puppies 3: The Slatening? to see this year’s slate of alternative folks and a summary of why these guys are doing this.

I’m friends with Larry and Brad. And I do not like the Should Police coming out and telling me I should or must include more X in my stories and less of Y, whatever that X and Y may be.

But, I’m wondering if storming the Hugos is the right way to do this.

Yes, the Hugo award has a lot of brand equity. But must the Hugo represent fandom?

Is Sad Puppies attempting to storm the castle and force upon Worldcon something Worldcon members don’t care for?

Let’s go back to the original issue that Sad Puppies is trying to shine a light on.

Reader Kim wants more of X and less of Y in his or her books.

But instead of saying, “Geez, where in the crap do I find books with more of X and less of Y?”

Instead of trying to get with a bunch of folks and saying to suppliers, “Hey if someone would write more of X and less of Y, we’d buy it! Look at this market that’s dying for product!”

Instead of developing the More X and Less Y website dedicated to helping readers who like that find their books.

Instead of that, Kim says, “Gosh darn it! All books should have more X and less of Y. And if they don’t, they’re, they’re, they’re bad, and bad for you, and probably make kids smoke! And we should make all stories conform.”

And the mandated “should” is where things get all tangled up. That should is what Sad Puppies is speaking out against.

So instead of trying to stomp out differing opinions or requiring all authors to write stories with some allotted amount of XY content, would it not be more productive to simply work with our wonderful free market to try to create a new silk road (or pave the existing one fit only for camels) that connects readers who like XY stories with authors who are happy to write them?

I think it would.

At the same time, this same argument could be applied to the Hugos. Instead of trying to force Worldcon members to change their ways, why not let them like the stories they like, but create a fresh new award that seeks a broader base? It would require work to build its brand equity, but maybe that’s a more effective long-term strategy.

It’s kind of like the New York Times best seller list. There are many problems with that list, including, but not limited to, the fact that it can be gamed. But instead of trying to change it, USA Today came up with something much better. Yes, “NY Times Best Seller!” still has huge brand equity. But USA Today is gaining on it. And as the market learns more and more about the difference between the lists, USA Today’s will only grow in luster.

I suppose it’s true that you sometimes do indeed need to storm the castle. And maybe this one needed some barbarians to show up and sack it. But I wonder if it’s time to pivot. I’m wondering if in this case the best long-term strategy wouldn’t be to simply build an armored division of M1-Abrams with air and sea support and make the castle irrelevant. Maybe this is something to think about for next year.

New business cards

Devon Dorrity, who helped me put together my covers, just helped me put together some business cards. I’m pretty excited about them. I’m biased, but I think they look awesome.

Servant

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Curse

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Raveler

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You can see here a mockup of how they’ll look. That bit on the back is the Blacksword Books logo.

John-Brown-Raveler-Business-Card-Mockup

I’m not sure about the one for Bad Penny. Devon liked it. Any opinions?

John-Brown-Bad-Penny-Business-Card-Mockup